The Oyo State Government has reiterated its unwavering commitment to safeguarding the legacies of individuals who devoted their lives to promoting African culture and Yoruba heritage.
Wasiu Olatunbosun, Commissioner for Culture and Tourism, on Wednesday gave the assurance during the third edition of the World Sango Festival and the Duro Ladipo Memorial Symposium, held at the Cultural Centre, Mokola, Ibadan.
Olatubosun called on governments at all levels to consider converting the residence of the late cultural icon, Duro Ladipo, into a monument or museum.
He noted that the first two editions of the symposium were hosted at Ladipo’s residence, adding that transforming it into a cultural site would serve as a lasting tribute to his invaluable contributions to Yoruba heritage.
A key highlight of the event was the official unveiling of a new cultural anthem. The Commissioner announced that the anthem would henceforth be played at all cultural and Isese-related programmes in the state, immediately after the state anthem. He described the initiative as a deliberate step towards strengthening and sustaining Yoruba traditions.
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Speaking on the significance of Sango, Fayemi Ifakayode, president of the International Council of Ifa Religion, explained that the Sango worshipped in Yoruba traditional religion is Sango Ayilegbe-orun, one of the messengers of Olodumare, who descended from the celestial realm.
He clarified that the third Alaafin of Oyo, also known as Sango, should not be mistaken for the deity, noting that the Alaafin was regarded as an incarnation of the divine figure.
Also addressing the gathering, Yoruba culture and arts advocate, Tunde Odunlade, emphasized the importance of preserving ancestral heritage. He urged Yoruba people to uphold the values and traditions handed down by their forefathers, rather than abandoning their cultural identity.
The event had in attendance the widow of Duro Ladipo, Biodun Duro-Ladipo; devotees of traditional religions from across the 33 local government areas of the state, as well as dignitaries and cultural stakeholders.
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